Copyright is a convoluted topic with a complicated past. The mysteries and intricacies of copyright law are best left to a copyright attorney, not a mere mortal like me. (In other words, this post is not legal advice.)
First, some copyright basics. An author, photographer, or creator of any other work does not have to apply for copyright. It is automatically granted in the original US Constitution (Article I, Section 8). Just like you don’t have to apply for other rights granted in the Constitution, you don’t have to apply for copyright. It’s an inherent right. Nobody issues copyright; no bureaucrat in flowing robes bestows it upon you. However, you can register your copyright with the US Copyright Office, which is a department of the Library of Congress. Registration gives you more legal leverage if someone infringes on your copyright. It proves who created the work and when. (By the way, it’s a myth that you can mail yourself a copy of your work and not open the envelope as a way of securing copyright.)
The only requirement for you to have copyright protection is to record your work in a tangible form. For example, if you and I go to lunch and I scribble a drawing on a napkin, I immediately own the copyright because the napkin is tangible. I can either choose to register my copyright or not. Either way, I own the copyright. But if we are at lunch and I tell you a story that I dreamed up but I never recorded it anywhere (in writing, in a digital file of some kind, in an audio recording, etc.), I do not own the copyright because spoken words are not tangible. You are free to use my story any way you want to, including for profit, and I have no legal right to stop you.
You don’t have to publish your work to make your copyright effective. As long as it’s in a tangible form, even if you hide it under your mattress and never show it to anyone, you own the copyright. And you don’t have to write copyright or include the copyright symbol or anything else on your work. The mere fact that it’s in a tangible form is enough (although it’s a good and common practice to include a copyright notice).
If someone is commissioned to create a work, or if a person is an employee of a business, their work is generally considered work for hire, and the commissioning party or the employer owns the copyright. For example, if I hire a graphic designer to create a logo for my business, that is considered work for hire and I own the copyright (such agreements are best put in writing ahead of time because there can be exceptions, such as with photographic portraits). Or, if I am an illustrator for an advertising firm, any drawings I produce are owned by my employer. The employer owns the copyright, and I have no legal claim to my own work. That is standard practice in most employer/employee relationships and is often included in hiring contracts or employee manuals.
I could go on and on, but I’ll save topics like fair use, public domain, and permissions for another day. In the meantime, if you need more information, check out the following resources:
Friedlander, Joel. The Self-Publisher’s Quick and Easy Guide to Copyright. Marin Bookworks, 2012.
Peterson, Elsa. Copyright and Permissions: What Every Writer and Editor Should Know. New York: Editorial Freelancers Association, 2012.
A style guide sounds like it belongs in the fashion industry. You might guess that it’s an annual Vogue publication that shows you the latest skirts and what colors are in style. Not to be left out, Elle might publish its own style guide, and so might InStyle and Cosmopolitan. There are some basic fashion rules that all these magazines will agree on, but each magazine will have its own opinion about what is in style and how to assemble an outfit for the latest look. None of them are right; none of them are wrong. It depends on who you ask.
And so it is with English usage. There are very few universal rules, despite the lists you see on social media that admonish you about what is (and mostly what is not) correct English. It depends on who you ask.
In publishing, a style guide is a set of guidelines for how English should be used. There are industry-standard style guides, house style guides (sometimes called style sheets because they are smaller than industry-standard style guides), and project-specific style sheets.
Industry-Standard Style Guides
Industry-standard style guides are the granddaddies of style guides. They govern English usage in a huge segment of publishing, with the exception of specialized fields and some academic settings. There are two biggies you should be aware of:
- The Chicago Manual of Style: This thousand-plus page book, now in its 16th edition, is the most widely used style guide in publishing. It is the go-to resource for most fiction and nonfiction books.
- The Associated Press Stylebook: This book is updated annually and is the definitive style guide in media, such as news and magazines (both print and online). It’s currently in its 46th edition and has nearly 500 pages.
Specialized industries and publishing segments have their own style guides. Here are some notable examples (just as with fashion magazines, there are many more):
- AMA Manual of Style: This book from the American Medical Association governs medical publications. It’s currently in its 10th edition and has more than 1,000 pages.
- Publication Manual of the American Psychological Association: This popular style guide is used mostly in the social and behavioral sciences. It’s currently in its sixth edition and contains nearly 300 pages.
- MLA Handbook: Long a tradition in academia, this style guide from the Modern Language Association is used for research papers in colleges and universities. It has nearly 300 pages and is in its seventh edition.
House Style Guides
Publishers have their own internal style guides, which are called house style guides or style sheets. I’ve seen house style guides range anywhere from a couple pages of informal notes to an inch-thick three-ring binder crammed with tiny print. Sometimes house style guides are very organized and logical, and sometimes they are chaotic documents filled with redundancies and contradictions. In a best-case scenario, a house style guide includes only deviations from whichever industry-standard style guide the publisher uses as their default style. It also includes information about which other authoritative resources should be used, such as general and specialized dictionaries and other reference works.
Project Style Sheets
A style sheet that is specific to a given project is usually developed by the copyeditor. As with house style guides, project style sheets can range from simple word lists to comprehensive descriptions of editorial choices that were made during the editing process. The complexity of the project style sheet usually depends on the demands of the project and the expectations of the client.
Which Style Guide Should You Use?
I listed the page counts and edition numbers of the industry-standard style guides to illustrate how much there is to know about English usage and what long traditions there are in various industries. If you are an author who has a contract (or hopes to secure one) with a traditional publisher, the publisher will dictate which style guide will be used. If you’re a self-publishing author, choose the style guide that is most commonly accepted for the type of book or publication you are writing. Hire a qualified editor to guide you in this process so your book will be taken seriously when it’s published. You don’t want your book to be of lesser quality than books that have undergone a stringent editing process.
Most of all, don’t pay attention to those quickie lists of grammar rules you supposedly should never break. In English, as in fashion, right and wrong is a matter of style.